Instruments: Six solo voices (S, Mez, A, T, Bar, B) with amplification; solo flute (picc, a-fl & b-fl), solo oboe (ob d’a&ca) and solo clarinet (cl Eflat & b-cl) with amplification; 3hn, 3tpt, 3tbn, t-tba, b-tba, 3perc, pf (4hands)(I= amplified hpd, II = cel), 2hp, cimb, elec gtr (amplified acoustic gtr), 3vln, 3vla, 6vc, 4db
I Voices and timpani
II ‘Tutti I’
III ‘Voices I’
IV ‘Verse I’ Bass Flute
V ‘Voices II’
VI ‘Tutti II’
VII ‘Verse II’ Clarinet
VIII ‘Voices III’
IX ‘Verse III’ Oboe/Oboe d’amore
X ‘Transitio'
"Transit was composed between 1972 and 1975 and reflects in its lengthy period of gestation the slow development and musical realisation of an idea which I had carried round with me for several years - that of trying to redefine common ground linking the arts with other fields in a manner rising above the tastefully descriptive..... The starting point for my work on this composition was an anonymous woodcut depicting a renaissance magus in the act of penetrating the last sphere separating the mortal from the divine, the contingent from the absolute." (Ferneyhough)
I Voices and timpani
II ‘Tutti I’
III ‘Voices I’
IV ‘Verse I’ Bass Flute
V ‘Voices II’
VI ‘Tutti II’
VII ‘Verse II’ Clarinet
VIII ‘Voices III’
IX ‘Verse III’ Oboe/Oboe d’amore
X ‘Transitio'
"Transit was composed between 1972 and 1975 and reflects in its lengthy period of gestation the slow development and musical realisation of an idea which I had carried round with me for several years - that of trying to redefine common ground linking the arts with other fields in a manner rising above the tastefully descriptive..... The starting point for my work on this composition was an anonymous woodcut depicting a renaissance magus in the act of penetrating the last sphere separating the mortal from the divine, the contingent from the absolute." (Ferneyhough)
Brian Ferneyhough - Transit (1972-75) video phone beyonce mp3 | |
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